Tam, Kwok-kan: Ibsen, Power and the SelfPostsocialist Chinese Experimentations in Stage Performance and Film This is a study of how theatre and film artists in China, including Hong Kong, explore new visions of Ibsen that go beyond the socialist paradigm of treating Ibsens characters, particularly Nora, Dr. Stockmann and Peer Gynt, as personifications of political discourse and class theory, with the self being reduced to ideological abstractions. Since Chinas opening up in 1978, new
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