Arnold Schoenberg: Notes, Sets, FormsIn this thought provoking study, Silvina Milstein proposes a reconstruction of Schoenberg's conception of compositional process in his twelve tone works, which challenges the prevalent view that this music is to be appropriately understood exclusively in terms of the new method. Her claim that in Scoenberg we encounter hierarchical pitch relations operating in a twelve tone context is supported by in depth musical analysis and the commentary on the